The joint is the detail.
We signal quality with structure, not effects: seasoned hardwood, pegged joinery, real gilding, upholstery you can name. Everything below is drawn from the collection data itself — both what the pieces are made of and what an upgrade changes — so nothing is listed that we don't actually build with, and nothing we offer goes undescribed.
Timbers
Seasoned mahogany for carved frames and bed posts. Solid teak where the joinery is left exposed. Figured walnut for showcases, beech for chair frames, kiln-dried pine for plinth bases, cherry and rosewood for finishes and arm caps.
Every frame is pegged mortise-and-tenon — no staples, no brackets doing structural work.
Finishes
Water gilding and gold-picked carving done in the workshop, not applied transfer. Hand-rubbed cream and ivory lacquers, matte black lacquer, silver leaf on the state beds, and polished natural timber where the grain is the point.
Upholstery
Cotton-backed velvet in royal blue, teal, emerald, charcoal and blush. Woven damask panels, chunky bouclé with removable covers, hand-embroidered floral panels, channel stitching, diamond button tufting, and full-grain leather in brown, black and oxblood.
Hardware & stone
Solid brass bar pulls, brass nailhead trim set by hand one stud at a time, soft-close runners, toughened and curved glass, and cream, ivory and onyx-figured marble tops.
Every material we currently build with
This list is generated from the collection data itself, so it never drifts from what is really on the floor.
What an upgrade changes
Every piece is listed at a specification, and its price panel offers two steps above it. These are those steps — the same three rungs the estimate on each piece page is built from.
Want to handle them first?
Swatches and timber samples are on the showroom floor. Ask and we'll courier fabric samples within Chattogram.